Every piece here is built from multiple exposures of the same moment — the same frame, shot and reshot, until the layers start talking to each other. A taxi becomes a flower bed, a courthouse becomes a ghost of itself, a skyline doubles back on its own reflection. Look until you stop taking it for granted.
Every piece starts with the same scene shot two or three separate times, then combined into a single frame — the same corner or skyline appearing at different moments, layered instead of chosen between. The idea driving all thirty-two pieces: a single exposure is a choice, and refusing to choose is more interesting.