About

Every piece starts the same way: a blank frame. No plan for what it becomes — just a location, a camera, and the belief that inspiration shows up once you start looking. From there, the work gets built in layers: exposures shot and reshot, architecture composited against itself, a mural masked into a building by hand, one window at a time. The blankness is where it begins. The layering is where it becomes something.

That process shows up differently across each series. Circular Logic turns city geometry into paradox. Planes of Perception bends architecture until the manipulation becomes the point. Evolution of a Metropolis layers a century of a skyline into a single frame. TAG NYC pushed the technique furthest — every window and ledge on a building masked out by hand, long before AI could do it in seconds, so a mural could sit convincingly on stone that never actually held one. Triple Take turns the same layering instinct on a single scene, shot two or three times until one exposure stops being enough. PanoAmerica pushes the frame itself past what a standard print can hold — panoramas built too wide for anything but a custom order.

Not every series manipulates what's actually there. New York City is a thirteen-year survey shot straight, landmark and quiet corner alike. California and Carport work the same way — the whole state as one body of work in one, a decade of spotting forgotten classic cars hiding in plain sight in the other. Both are proof the eye doesn't need the layering to find something worth printing large.

The same instinct scales up. An 18-panel, 40-foot installation for the St. Louis Marriott Grand came together under a tight February-to-April deadline — four days shooting in the rain, five more to turn 2,500 photos into a first draft, and a late-night realization, mid-edit and listening to house music, that the panels needed to layer into each other the way a DJ layers a transition between two songs. It shipped on time. It's still on the wall. A four-panel commission for the Radisson Blu Minneapolis took the same Circular Logic technique and rebuilt it around a different city entirely — proof the process travels.

Alongside the print series, that same eye has shot on-figure photography for Harper's Bazaar's Shop Bazaar platform, and taken on site-specific commissions for hotels and private collectors. If a wall needs something built specifically for it — sized, composed, and finished for that exact space — that's the project this studio exists for.